中华文化专题档案

中国篆刻以石材为主要材料、以刻刀为工具、以汉字为核心表象，把书法结构、印面章法与镌刻动作结合在方寸之间。它由古代印章制作发展而来，但艺术篆刻不等于所有印章，也不能仅凭一枚印文判断作品年代与真伪。

Chinese seal engraving primarily combines stone, the engraving knife and Chinese characters, bringing calligraphic structure, seal-face composition and carving action into a small surface. It developed from ancient seal making, but artistic engraving is not identical with every seal, and one impression alone cannot establish date or authenticity.

南京云锦织造技艺以复杂大型织机、上下两人协作与“通经断纬”等方法组织蚕丝线、黄金线和孔雀羽线等材料，并连接材料准备、纹样设计、挑花结本、造机与织造。它不是所有南京织物或所有锦缎的统称。

Nanjing Yunjin brocade craftsmanship uses a complex large loom, coordinated work by two operators and methods including continuous warp with discontinuous weft to organize materials such as silk, gold thread and peacock-feather yarn. It connects material preparation, pattern design, pattern programming, loom construction and weaving, and is not a name for every textile or brocade made in Nanjing.

西安鼓乐又称西安古乐或长安鼓乐，是吹奏乐与锣鼓乐结合的大型民间器乐合奏，包含行乐、坐乐等演奏形式，并与乐社、庙会和不同仪式场景相连。它不是只由鼓组成的一首固定古曲，也不能直接等同唐代宫廷音乐原声。

Xi'an drum music, also called Xi'an or Chang'an ancient music, is a large folk instrumental ensemble combining winds and percussion. It includes processional and seated forms and is connected with music societies, temple fairs and different ceremonial settings. It is neither one fixed old tune played only on drums nor a direct recording of Tang court music.