人物 · People

李清照

Li Qingzhao

李清照(1084—约1155)是跨越北宋、南宋的词人,号易安居士,也参与金石文献的收藏整理并写下《金石录后序》。她的生平、词中说话者、作品编年与后世塑造不能直接重合,不能仅凭一首词的哀乐语气把它写成某次生活事件的日记。

Li Qingzhao (1084–c. 1155), art name Yi'an Jushi, was a ci poet whose life crossed the Northern and Southern Song. She also participated in collecting and organizing epigraphic materials and wrote the Afterword to the Catalogue of Inscriptions on Metal and Stone. Her biography, poetic speakers, chronology of works and later reception do not coincide automatically, and a poem's mood alone cannot turn it into a diary entry for a specific event.

地区
山东济南、青州及南渡后的江南行迹地Jinan and Qingzhou in Shandong, and places connected with her southward displacement
时代
北宋至南宋,1084—约1155年Northern to Southern Song, 1084–approximately 1155
阅读
11 分钟3 项来源

VERIFIED NOTES

可核查要点

  • 中国历代人物传记资料库将李清照列为宋代诗人、词人和金石爱好者,记录其生于 1084 年、号易安居士,并以人物编号 19713 关联籍贯、行迹、亲属与著述。数据库把卒年索引为 1155 年,但备注仅说明其在绍兴年间七十余岁去世,因此学习时宜保留“约”与资料版本。
  • 李清照与赵明诚共同关注金石材料;CBDB 收录《金石录后序》并系于 1143 年。后序、词作、后世词集和纪念馆陈列是不同材料类型,不能用一则浪漫化故事替代作品版本与历史记录。
  • 词依词牌的字数、句式与声律传统写作,词牌名通常不是作品内容摘要。同一词作还可能存在文字、标点、题名与归属差异;传统上按早晚经历解释风格变化,是阅读路径而不是仅凭情绪完成的精确编年。

01

历史坐标

Historical context

李清照(1084—约1155)是跨越北宋、南宋的词人,号易安居士,也参与金石文献的收藏整理并写下《金石录后序》。她的生平、词中说话者、作品编年与后世塑造不能直接重合,不能仅凭一首词的哀乐语气把它写成某次生活事件的日记。

Li Qingzhao (1084–c. 1155), art name Yi'an Jushi, was a ci poet whose life crossed the Northern and Southern Song. She also participated in collecting and organizing epigraphic materials and wrote the Afterword to the Catalogue of Inscriptions on Metal and Stone. Her biography, poetic speakers, chronology of works and later reception do not coincide automatically, and a poem's mood alone cannot turn it into a diary entry for a specific event.

02

核心看点

What to notice

读李清照可以画“人—年—地—词牌—文本—版本—注释—接受”八栏:先确认作品题名或词牌和所用底本,再逐句记录可见文字、典故、语法与声律,最后把作品内部的说话者、编者判断和传记材料分开。南渡、赵明诚去世、金石收藏散失等经历能够提供历史语境,但若作品没有可靠编年,就不能把每个‘愁’字固定到一个日期,也不能把词中所有第一人称都当作作者现场陈述。

Read Li Qingzhao through person, year, place, tune pattern, text, edition, commentary and reception. Identify the tune title and base edition, record wording, allusion, grammar and prosody, and then separate the speaker within a poem from editorial judgment and biographical evidence. Southward displacement, Zhao Mingcheng's death and the dispersal of epigraphic collections provide historical context, but an undated work cannot be pinned to an event by every expression of sorrow, nor is every first-person voice a transcript of the author's immediate experience.

03

延续与学习

Continuity and learning

李清照作品经历选本、校勘、注释、现代标点、白话翻译、书法转写、朗诵和影视再现。学习者应记录词牌、首句、版本、编校者、出版信息和引用位置,把原文、校勘意见、译文、舞台形象与纪念空间分开;古代原作进入公共领域,不代表现代整理、翻译、录音和馆藏图像可以不注明来源与授权。纪念堂展览和开放安排也属于实时信息。

Li Qingzhao's works circulate through anthologies, textual collation, commentary, modern punctuation, translation, calligraphic rewriting, recitation and screen portrayals. Record tune title, opening line, edition, editor, publication and citation location, separating historical text, variants, translation, performed persona and memorial space. Public-domain ancient writing does not remove attribution or licensing requirements from modern editions, translations, recordings and collection images. Memorial exhibitions and access are also time-sensitive.

SOURCES

出处与延伸阅读

  1. 1. Li Qingzhao (Person ID 19713)

    China Biographical Database (Harvard, Academia Sinica, Peking University) · 访问 2026-08-02

  2. 2. Li Qingzhao

    Academy of Contemporary China and World Studies · 访问 2026-08-02

  3. 3. 关于建设齐鲁名人纪念馆的建议答复

    济南市人民政府 · 访问 2026-08-02

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